Sydney Sweeney’s ‘Americana’ opens to $500k nationwide box office
Sydney Sweeney’s new film, “Americana,” opened to an estimated $500,000 across 1,123 theaters nationwide, according to The Hollywood Reporter. The figure puts the movie at the lower end of weekend box office debuts.
The opening has attracted attention partly because it comes just weeks after backlash over Sweeney’s American Eagle campaign. The actress has faced heightened public scrutiny in recent months, with her projects and every move under a spotlight.
‘Americana’ exclusive theatrical window
Despite its modest debut, the film carries an important distinction: it is on a 30-day exclusive theatrical window rather than the standard 17 days, as reported by Deadline. That gives it a longer run in cinemas before heading to digital platforms.
In comparison, “Nobody 2” opened with $9.3 million from 3,260 locations. Meanwhile, “Weapons” has stayed on top of the charts since its Aug. 8 debut.
Also over the weekend, “Freakier Friday” brought in an estimated $14.5 million from 3,975 cinemas. The contrast underscores the uphill climb “Americana” faces in a crowded late-summer release schedule.
Sweeney’s career highlights may provide context
Industry analysts point out that Sweeney is not primarily known as a box office draw. To date, she has only three films with notable theatrical figures: “Anyone but You,” grossing $220M worldwide; “Madame Web,” at around $100.5 million worldwide; and “Immaculate,” grossing $35 million worldwide, all according to Box Office Mojo.
Instead, Sweeney’s most recognized work remains her role as Cassie Howard on HBO’s hit drama “Euphoria.” That character is portrayed as a vulnerable teenager struggling with self-esteem and relationships.
Because of that, some observers caution against measuring “Americana” solely on box office returns. The project was not designed as a mass-market release.
The film first premiered at SXSW in 2023, where it received strong reviews. It was later acquired by Lionsgate Premiere Releasing, a label reserved for projects with more limited distribution and advertising budgets.
According to Deadline, the release carried a marketing spend of under $3 million. The outlet reports the film could finish with a domestic gross of around $1.5 million.
Ella Rae Greene, Editor In Chief
