Pragmatic or prudish? Cannes’ new dress code stirs debate
The Cannes Film Festival kicks off Tuesday, May 13, and organizers are laying down new red carpet rules. The updated dress code prohibits nudity and voluminous outfits that could disrupt the event. While some believe the new guidelines are straightforward, others say the festival is stifling creativity.
Sheer trend in question
Sheer gowns have become a signature look at the French Riviera-based festival. Last year, Bella Hadid arrived in a see-through dress that generated major buzz, while Kendall Jenner wore a similarly revealing gown back in 2018.
Outside Cannes, the trend has gone even further. Bianca Censori, wife of Kanye West, recently sparked headlines for wearing an “invisible dress” at the 2025 Grammy Awards, which left little to the imagination.
The festival is making its policy clear: “For decency reasons, nudity is prohibited on the red carpet, as well as in any other area of the Festival,” according to the official Cannes FAQ page.
The statement arrives ahead of the festival’s start, signaling that organizers are hoping to avoid controversy and clarify expectations before stars begin arriving.
Footwear rules clarified
The dress code also tackles footwear. Elegant shoes or sandals with or without heels are allowed –– but sneakers are banned.
This comes after backlash in 2015, when reports claimed several women were denied red carpet access for wearing flats. The incident became known as “Flatgate,” sparking debate about gender expectations at formal events.
No big dresses allowed
Oversized outfits, including dresses with long trains, are also discouraged. Cannes organizers said such styles “hinder the proper flow of traffic of guests and complicate seating.”
The official guidance requires formal evening wear, including tuxedos and full-length gowns, to preserve the elegance of the event.
Cinema still at the center
Despite the fashion headlines, the Cannes Film Festival remains a major launchpad for award-winning cinema. Last year, Oscar-winning titles such as “Anora,” “The Substance,” and “Emilia Pérez” made their debut at the festival.
Ella Rae Greene, Editor In Chief
